Maria Christoforidou:
Spontaneous Beings
22.02.22
Spontaneous Beings imagines Mary Wildfire Edmonia Lewis* in a future perfect on the coast of Cornwall. Pondering poisons, tasting the seaweed, the testament of the deep, deep secrets Yemaya** brings to the surface as medicine.
* Mary Edmonia Wildfire Lewis (July 1844 - September 1907) was an American sculptor of Afro Caribbean and Native American (Mississauga (Ojibwa)) descent. There are many uncertain facts, speculation and myths about Lewis some apparently her own creations. Moving to Rome in 1865, she became a distinctive figure in Roman society. Her work is known for incorporating themes relating to black and indigenous peoples of the Americas into Neoclassical-style sculpture. In 1901 she moved to London, settling first at 4a Earls Court Road, then moving to 154 Blythe Road in Brook Green, a terraced four-storey townhouse near Olympia. That is the time when some daydreamers imagine her visiting Cornwall to listen to the ancestors.
** Yemaya - Yemonja, also spelled Yemoja or Yemaja, is a Yoruba deity celebrated as the giver of life and the metaphysical mother of all Orisha (deities) within the Yoruba spiritual pantheon. Yemonja’s name is derived from the Yoruba words Yeye or Iya (“mother”), omo (“child/children”), and eja (“fish”) and thus literally means “Mother whose children are the fish. (Patricia E. Canson, Encyclopedia of African Religion, 2009). The number 7 belongs to her, representing the seven seas; the colours blue and white, pearls, silver, peacock feather, conch shells, and doves, seaweed and white flowers. She helps in matters of self-love, fertility, emotional wounds, trauma, and healing work. Like the sea she can be calm but also tempestuous. If you disrespect her terrain, or hurt one of her children, her anger will rise. Wielding a broad blade, she’s known to manifest in the form of a tidal wave and "bathe in the blood of her enemies". Eventually, priestesses of Santería slowly syncretized Yemaya with the image of Mother Mary. Radiantly rising from the sea, her dark skin shines under the moon.
1.
you see - brother Sunrise
he raised me and I grew
like a weed,
despite those idiots
he said ‘…………’ still, I become a flame
the sea has opened
the salt will have ruined your phone
she will have ridden on thick white smoke
nothing else would undo
hours and hours of need
ask the Orisha for sea water
carry the water from one mouth to another
great river mouths so soft
sea water is thicker than blood
go on, ask
for a bridge of water
she will not have taken anything
poisons and beatings, she will have left them there to rot
2.
under the spell of loneliness
I am moved to the edge
of the Atlantic
later a billow of voices
the secret dynamo to all poisons
sings
‘‘…………………….. we dance for you’’
an ancestry of viscera drying on the shingle
an ancestry of obeshas interpreting the dead
Yemaya herself rips the
dulce from its hiding place
of heliocentric trinity
she gesticulates something I don’t understand
I will have found hundreds of photos of you online
will there have been bigotry on the beach?
let them speak, let them call it Latin
nodosum spiralis
digitata ulva intestinalis
porphyra umbilicalis
o long lived knotted wrack not
poison not revery but testament
the sea is full of forest
‘in the first movement we will have felt the calm,
flowing ocean, stroking the shores’
3.
my hand floats in the water
the saliva in your mouth comes to meet it
I need to drink
the sea carried in eyes of leather
habituated to loss
fixated on littoral desires
I don’t understand
she will have buried a sister in a shallow tropical sea
‘a wide sargasso sea’
she will have pulled you in and pushed you out
100ds of times
her rage a pearl you want so much you hide it
you swallow it
is that her likeness? is it a spirit ?
petition her remind her, I live on land, I ………….
some words hit like chisels and thus nocturnal selves splinter off
a me refusing to be my reflection
an I sinks to the bottom
an I rises to the top
a me floats away and reproduces
effortlessly
in poems the sun will have set in the horizon,
IRL it sets in the middle of your chest
4.
‘listen to things’ wildfire and spontaneous beings made out of nothing
my hungry heart opens my mouth and I chew
a little
it feels like – like biting my own cheek
chewing my own self
the seaweed brings news of those never consulted
to those who don’t care,
for seeing, they feel
wait …nobody knows how it feels
white lies? she will have said what she had to say
by noon she will have swapped a marble blanket for a seaweed mantle
blithe dark gentle
5.
We will be bones together Cleopatra
6.
in big gulps
invisible meadows harvest the sun
beings Made Out of Nothing shivering
wringing like bells, broken and trusting the moon
the path is change
I open my eyes and see her
crouching on the cliff face
charged terrifying her mouth
open
unmoving
desirable and devouring
7.
a void goddess of deep thermal language
leaks out
pierced by the pensive unknowability of the
lovers or an entity of microbial underwater
forests
Maria Christoforidou is a Zambian Greek artist, writer and researcher. Maria is motivated by a hope to generate temporary truths and pauses that allow minor sameness, precarious voices, brown bodies and plant comrades to evade classification, come to rest, undoing unspeakable knots of otherness. She uses research and collaborations in different formats – performative lectures, workshops, dreaming,visual essays, publishing, meditation – to interrogate historical taxonomies and weave softer multiplicities with uncategorisable material. Her video poem on the AfroGreek experience ΜΑΛΘΑ: The Thrice Burnt Archives of Unreliable Prophecies was presented in the Almanac of transmediale 2021-22. Maria is a Fine Art lecturer at Falmouth University, she lives and works in Cornwall and Athens.